C1 · Advanced

Light, Look & Texture — C1 English Vocabulary

This C1 vocabulary list gathers 60 advanced English words about light, look & texture — how things look, shine and feel. Every word comes with a simple definition, its British-English pronunciation and a natural example sentence, so you learn each one in real context. When you are ready, open the flashcards to practise and remember them for good.

60 wordsBritish pronunciationExample sentencesDefinitionsFree flashcards
  1. gaunt/ɡɔːnt/

    Very thin, especially from illness or hunger.

    “His face looked gaunt.”

  2. haggard/ˈhæɡ.əd/

    Looking tired and ill.

    “She looked haggard after the trip.”

  3. emaciated/ɪˈmeɪ.si.eɪ.tɪd/

    Extremely thin and weak from hunger or illness.

    “The prisoners were emaciated.”

  4. portly/ˈpɔːt.li/

    Rather fat, said of a person.

    “A portly gentleman entered.”

  5. burly/ˈbɜː.li/

    Large and strongly built.

    “A burly guard blocked the door.”

  6. lanky/ˈlæŋ.ki/

    Tall and thin, moving awkwardly.

    “He is tall and lanky.”

  7. petite/pəˈtiːt/

    Small and slim, said of a woman.

    “She is small and petite.”

  8. stocky/ˈstɒk.i/

    Short and solidly built.

    “He has a stocky build.”

  9. dishevelled/dɪˈʃev.əld/

    Untidy in appearance.

    “His hair was dishevelled.”

  10. well-groomed/ˌwel ˈɡruːmd/

    Neat and carefully looked after.

    “He is always well-groomed.”

  11. scruffy/ˈskrʌf.i/

    Untidy and dirty.

    “He wore scruffy old jeans.”

  12. dapper/ˈdæp.ə/

    Neat and stylish in dress.

    “He looked dapper in a suit.”

  13. swarthy/ˈswɔː.ði/

    Having a dark skin colour.

    “He had a swarthy complexion.”

  14. pallid/ˈpæl.ɪd/

    Pale, especially from illness.

    “Her face was pallid.”

  15. ruddy/ˈrʌd.i/

    Having a healthy red colour, said of a face.

    “He has a ruddy complexion.”

  16. wrinkled/ˈrɪŋ.kəld/

    Having lines from age or creasing.

    “Her face was wrinkled with age.”

  17. weathered/ˈweð.əd/

    Marked by long exposure to the weather.

    “His skin was weathered by the sun.”

  18. complexion/kəmˈplek.ʃən/

    The natural colour and look of the skin.

    “She has a clear complexion.”

  19. physique/fɪˈziːk/

    The form and shape of a person's body.

    “He has an athletic physique.”

  20. poise/pɔɪz/

    A graceful and controlled way of moving.

    “She has natural poise.”

  21. radiance/ˈreɪ.di.əns/

    A bright, glowing quality.

    “Her face had a soft radiance.”

  22. glow/ɡləʊ/

    A soft, steady light or warm colour.

    “Her cheeks had a healthy glow.”

  23. pallor/ˈpæl.ə/

    Unusual paleness of the face.

    “His sudden pallor alarmed us.”

  24. flush/flʌʃ/

    A red colour that spreads over the face.

    “A flush spread over her face.”

  25. blush/blʌʃ/

    To become red in the face from embarrassment.

    “A blush rose to her cheeks.”

  26. grimace/ˈɡrɪm.əs/

    A twisted expression showing pain or dislike.

    “He gave a grimace of pain.”

  27. scowl/skaʊl/

    An angry, frowning look.

    “She gave him a dark scowl.”

  28. frown/fraʊn/

    To wrinkle the brow in worry or disapproval.

    “A frown crossed his face.”

  29. smirk/smɜːk/

    A smug, silly or unpleasant smile.

    “He wore a smug smirk.”

  30. sneer/snɪə/

    A mocking, scornful expression.

    “She gave a cruel sneer.”

  31. beam/biːm/

    To smile broadly with happiness.

    “She gave a wide beam.”

  32. iridescence/ˌɪr.ɪˈdes.əns/

    A shining display of changing colours.

    “The oil showed iridescence.”

  33. translucence/trænzˈluː.səns/

    The quality of letting some light through.

    “The petals have a delicate translucence.”

  34. opacity/əʊˈpæs.ɪ.ti/

    The quality of not letting light through.

    “The glass has a milky opacity.”

  35. glossy/ˈɡlɒs.i/

    Smooth and shiny.

    “The magazine is glossy.”

  36. matte/mæt/

    Not shiny; dull in finish.

    “The walls have a matte finish.”

  37. sleek/sliːk/

    Smooth and glossy in appearance.

    “The car has a sleek design.”

  38. grainy/ˈɡreɪ.ni/

    Having a rough, grain-like texture.

    “The old film looks grainy.”

  39. mottled/ˈmɒt.əld/

    Marked with patches of different colours.

    “The leaf was mottled brown.”

  40. dappled/ˈdæp.əld/

    Marked with spots of light and shade.

    “Dappled light fell on the path.”

  41. speckled/ˈspek.əld/

    Covered with small spots.

    “The egg was speckled.”

  42. burnished/ˈbɜː.nɪʃt/

    Polished until it shines.

    “The shield was burnished bright.”

  43. tarnished/ˈtɑː.nɪʃt/

    Having lost its shine, said of metal.

    “The old spoon was tarnished.”

  44. faded/ˈfeɪ.dɪd/

    Having lost brightness or colour.

    “The curtains were faded.”

  45. fluorescent/ˌflɔːˈres.ənt/

    Very bright, seeming to give off light.

    “She wore a fluorescent jacket.”

  46. pale/peɪl/

    Light in colour; lacking strong colour.

    “He turned pale with fear.”

  47. dingy/ˈdɪn.dʒi/

    Dirty and dull-looking.

    “They lived in a dingy flat.”

  48. grubby/ˈɡrʌb.i/

    Slightly dirty.

    “His hands were grubby.”

  49. spotless/ˈspɒt.ləs/

    Perfectly clean.

    “The kitchen was spotless.”

  50. smudged/smʌdʒd/

    Marked with a dirty streak.

    “Her makeup was smudged.”

  51. glistening/ˈɡlɪs.ən.ɪŋ/

    Shining because of being wet.

    “His brow was glistening with sweat.”

  52. frayed/freɪd/

    Worn at the edges so threads come loose.

    “His collar was frayed.”

  53. tattered/ˈtæt.əd/

    Old and torn.

    “He wore a tattered coat.”

  54. threadbare/ˈθred.beə/

    Worn thin so the threads show.

    “The rug was threadbare.”

  55. unblemished/ʌnˈblem.ɪʃt/

    Perfect, with no marks or faults.

    “Her record is unblemished.”

  56. crinkled/ˈkrɪŋ.kəld/

    Having many small folds or lines.

    “The paper was crinkled.”

  57. crumpled/ˈkrʌm.pəld/

    Crushed into folds and creases.

    “He wore a crumpled shirt.”

  58. taut/tɔːt/

    Stretched tight.

    “The rope was pulled taut.”

  59. slack/slæk/

    Loose and not tight.

    “The line went slack.”

  60. silky/ˈsɪl.ki/

    Soft and smooth like silk.

    “The dog has a silky coat.”

Using light, look & texture words in English

Adjectives describing people’s appearance are almost never neutral in English, and using them well is as much a matter of tact as of vocabulary. Gaunt, portly and scruffy all carry judgements that their dictionary definitions understate. This page sorts them by what they imply, and flags one word — swarthy — that careful modern writing avoids altogether.

What to watch out for

Words learners mix up

Beyond build and grooming, this page divides three ways: what a face is doing, what colour it has gone, and how a surface takes the light. The expression words are the most useful in fiction, because each one tells the reader what to think of the person.

What the face is doing

WordWhat it actually meansIn a sentence
frownDrawing the brows together. Concentration or displeasure — genuinely ambiguous without context.She frowned at the diagram.
scowlAn angry, sullen frown. Never concentration; always bad temper.He scowled at the interruption.
grimaceA twisted expression of pain, disgust or effort. About the body as often as the mood.A grimace as he put weight on the ankle.
smirkA small, smug, self-satisfied smile. The reader is meant to dislike it.An insufferable smirk.
sneerA curled lip expressing contempt. Also a verb of speech: to sneer at something.He sneered at the suggestion.
beamTo smile broadly and radiantly. The one unambiguously warm word in the group.She beamed at the news.

Four of these six are hostile, which is a fair reflection of how much finer English is about disapproval than about pleasure. Note that smirk and beam are both smiles, and choosing between them decides entirely how a reader feels about the character — the physical difference is small and the narrative difference is total.

Colour arriving and leaving the face

WordWhat it actually meansIn a sentence
pallidUnhealthily pale. Also used figuratively of a weak, lifeless performance.A pallid face under the strip lighting.
pallorThe noun for that paleness. Formal, and usually medical or literary.A waxy pallor alarmed the nurse.
ruddyHealthily red, of cheeks and complexion. Positive, and it suggests outdoor life.A ruddy, weather-beaten face.
flushA spread of colour from heat, exertion, drink or emotion. Noun and verb.A flush rose up his neck.
blushReddening specifically from embarrassment or shame. The cause is part of the word.She blushed and looked away.
radianceA glowing look of health or happiness. About the impression given, not the colour.A radiance that the photograph missed.

The pair to keep apart is flush and blush: a flush can come from running upstairs, but a blush is always social — it tells the reader what the character feels about being seen. That is why a writer chooses one over the other regardless of what the skin is actually doing.

How a surface takes the light

WordWhat it actually meansIn a sentence
glossySmooth and shiny, of paper, paint and hair. Also, of a magazine, expensive-looking.A glossy black finish.
matteFlat, without shine. The technical opposite of glossy, and spelled with the final e in this sense.A matte emulsion on the walls.
burnishedPolished by rubbing until it shines. The shine is the result of work.Burnished copper pans.
tarnishedDulled by oxidation. Figuratively, of a reputation, damaged rather than destroyed.A tarnished silver frame.
mottledMarked with irregular patches of colour. Suggests blotchiness, and often something unwell.Mottled skin on the back of the hand.
dappledMarked with rounded spots of light and shade. Nearly always attractive.Dappled sunlight under the beeches.

Mottled, dappled and speckled all mean patchily marked and are not interchangeable in tone: dappled belongs to shade under trees and to horses and is pleasant, mottled belongs to skin and damp and is not, and speckled is the neutral one of small distinct dots.

Collocations that sound natural

Appearance vocabulary is heavily collocational — the adjective is often chosen by the noun rather than by the quality. These pairings are worth learning as units.

See the full C1 collocations list →

Formal, neutral or informal?

Describing how someone or something looks is where English is most likely to embarrass a writer. These words carry judgements, and several are cleaner about objects than about people.

Sentences to try

Four frames describing appearance. Ask in each case whether you would say it to the person.

Questions about light, look & texture vocabulary

What is the difference between gaunt, haggard and emaciated?

All three describe thinness caused by something bad. Gaunt means bony and hollow-cheeked, suggesting long illness or hardship. Haggard emphasises looking exhausted and worn — it is about the face and can result from a few sleepless nights rather than from long deprivation. Emaciated is the strongest and clinically specific: abnormally thin from starvation or disease. None is neutral, and none should be used lightly, since all three imply that something is wrong.

Is "swarthy" acceptable in modern English?

It is best avoided. The word means having a dark complexion, and in itself it is descriptive, but a long history of use in stock descriptions of foreign villains in popular fiction has left it with strong pejorative and racial associations. Contemporary careful writing does not use it about people. If skin tone is genuinely relevant to what you are writing, plain and specific description is better, and in most contexts it is not relevant at all. Pallid, its rough opposite, carries no comparable problem but does imply ill health.

Which appearance adjectives are safe to use about people?

The reliably positive ones are well-groomed, smart, elegant, dapper, slim, lithe and petite. Broadly neutral: tall, slight, stocky, fair, dark-haired. Everything else on this list judges — portly, lanky, scruffy, gaunt, haggard, pallid — and English speakers use those in narrative rather than to someone’s face. As a general principle, English culture treats unsolicited comment on another adult’s body as impolite, so the safest register is to say nothing about it at all.

Advertisement